The Structure of the Oboe
[Experiment]Try making a reed out of a straw

In this experiment, a reed is made using a juice straw, and the sound is compared to that produced by an ordinary reed.

Experiment steps

  1. Cut a triangle out of the end of a straw.
  2. Fasten the straw reed to the tube.
  3. Stick the tube into the oboe and try playing.
  4. Compare the sound to that produced with normal reeds.
Straw reed

Experiment results

With a straw reed

With normal reeds

Note: As this was an experiment, the recorded pitches differed from the correct notes.

The straw reed will make a sound when placed into the mouth and blown through with force. Even a beginner can make a noise with ease. However, in the experiment, no sound is produced when the triangle-cut base of the reed is flattened. Therefore, the player corrects the shape of the straw inside the mouth to make the cut surfaces round while blowing into them. If the straw is not inserted into the mouth at just the right depth, it will be utterly impossible to control the instrument's tones to keep them stable.

In this experiment, the lengths of straws are adjusted to make reeds, which are played like instruments.

Experiment steps

  1. Assemble several straws of the same thickness.
  2. Make triangular cuts in the ends of the straws.
  3. Use cellophane tape to fasten multiple straws together to make instruments of lengths 100 cm, 80 cm, 67 cm, and 50 cm.
  4. Try playing the straws.
Straw

Experiment results

The sound of a straw instrument with a diameter of 6 mm

Straw

  • 100 cm

  • 80 cm

  • 67 cm

  • 50 cm

The sound of a straw instrument with a diameter of 5 mm

100 cm+80 cm+67 cm

A straw instrument with a diameter of 5 mm

Note: As this was an experiment, the recorded pitches differed from the correct notes.

These lengths, 100, 80, 67, and 50, represent the ratios of pipe lengths that produce the notes C, E, G, and C#, respectively. When the instruments are made with straws with diameters of 6 mm, the actual pitches that are heard are E♭, G, B♭, and E♭.
If the straw is touched with a finger while it is being played, the upper portion will shake, clearly showing that the tube is vibrating all the way to the tip. The narrower the diameter of the straw, the greater the resistance, requiring more forceful blowing. Conversely, the wider the diameter, the easier it is to blow into the straw, but all the breath is used up quickly, so the straw cannot be played for a long time with one breath.

Align two leaves with one another and place them lightly between pursed lips. When breath is blown between the two leaves, a sound is produced in accordance with the double-reed principle. It is ideal if the ends of the leaves are slightly bent and there is a small passageway for air in the middle. It would be interesting to try a variety of different sorts of leaves, such as tea leaves, persimmon leaves, and hydrangea leaves.

Align two leaves with one another and place them lightly between pursed lips.