2000
Digital Mixers
PM1D
DIGITAL MIXER
PM1D
RELEASED: 2003
CODE_NAME: La Foret
While the 02R was taking the studio market by storm, Yamaha engineers had begun to direct their efforts towards creating a digital PM-series live sound console. The result was the groundbreaking and history-making PM1D. The PM1D was the first digital PM-series live sound console, with separate control surface, DSP engine, and I/O components in a system that was both versatile and highly resistant to external noise and interference. The PM1D was designed with plug-in card based analog I/O, and when the refined head amps designed for the analog PM5000 were subsequently made available in card format, the PM1D took another step forward in terms of sound quality. Two DSP engines could be connected in "mirror mode," and redundant cable connections were accommodated as well, for extremely high reliability. With comprehensive functionality and ample I/O, particularly the 48 mix and 24 matrix output buses, the PM1D was an appealing solution for many demanding high-end applications. The PM1D offered an ideal blend of sonic quality, functionality, operability, and reliability.
- 96 mono + 16 Stereo inputs + 48 Mix + 24 Matric + 2 Stereo Masters
- Scalable Input/Output Hardware Scheme
- Analog-style control layout
- Surround Mixing Mode
- Individual Fader Bank Flip
- Unit Naming Functionality
- Sample Rate: Internal 44.1-96kHz, External 44.1kHz -10% -96kHz +6%
- Internal Processing Bit Depth: 32 Bit
- A/D Conversion: 24 Bit
- D/A Conversion: 24 Bit
- Scene Memories: 99
- Number of Faders: 17, Motorized, Touch Sensitive
- MIDI IN/OUT/THRU
- BNC Word Clock In
- Time Code via SMPTE
DM2000
DIGITAL MIXER
DM2000
RELEASED: 2002
CODE_NAME: Mercury
This console offers 96 kHz sampling and 96 channel mixing capability with emphasis on production and surround mixing/monitoring functionality. It also features a 9-pin remote terminal and can remotely control DAW software such as Steinberg Nuendo. The DM2000 accommodates advanced 16-channel Mini-YGDAI expansion cards for virtually unlimited scalability and adaptability. Its compact dimensions and outstanding sound quality have made it a favorite in not only the production field, but in live sound applications as well. In fact, Version 2 introduced a number of features geared specifically towards live sound.
- 96 x 12 x 8 x 4 Stereo Matrix x 1 Stereo Master
- 4-Band PEQ and Dynamics on all Channels
- 6 MY Card Slots For Maximum I/O Capability
- Selected Channel Operation
- DAW and Hard Disk Recorder Transport Control
- DAW Remote Control Layers
- User Assignable Layers
- Advanced Surround Panning
- Sample Rate: Internal 44.1-96kHz
External 44.1kHz -10% -96kHz +6% - Internal Processing Bit Depth: 32 Bit
- A/D Conversion: 24 Bit
- D/A Conversion: 24 Bit
- Scene Memories: 99
- Number of Faders: 25, Motorized, Touch Sensitive
- MIDI IN/OUT/THRU
- BNC Word Clock In
- Time Code via SMPTE or MTC
- PS2 Connection for Keyboard
02R96
DIGITAL MIXER
02R96
RELEASED: 2002
CODE_NAME: Gemini
Following in the footsteps of the standard-setting 02R, the 02R96 has continued to redefine music production methodology. The 02R96 was developed in parallel with the DM2000, and includes many of the same advanced digital technologies and features. Although it has the same footprint as the 02R, the 02R96 delivers significantly enhanced audio quality, mixing capacity, and functionality.
- 56 x 8 x 8 x 1 Stereo Master
- 4-Band PEQ and Dynamics on all Channels
- 4 MY Card Slots
- Selected Channel Operation
- DAW and Hard Disk Recorder Transport Control
- DAW Remote Control Layers
- User Assignable Layers
- Advanced Surround Panning
- Sampling Rate: Internal 44.1-96kHz
External 44.1 -10%- 96 +6% kHz - Internal Processing Bit Depth: 32 Bit
- A/D Conversion: 24 Bit
- D/A Conversion: 28-bit 24 bit
- Scene Memories: 99
- MIDI IN/OUT/THRU
- Time Code via SMPTE or MTC
DM1000
DIGITAL MIXER
DM1000
RELEASED: 2003
CODE_NAME: Lark
The DM1000 was an impressive achievement in that it offered 48-channel input capacity in a compact rack-mountable console. The later Version 2 revived ESAM II remote control for video editing equipment for the first time since the 03D. This all-around console has been adopted for a wide range of applications, from production to broadcast to live sound. It offers everything the demanding user expects of a digital console: outstanding operability, expandability, and flexibility in a compact and powerful console.
- 48 x 8 x 8 x 1 Stereo Master
- 4-Band PEQ and Dynamics on all Channels
- 2 MY Card Slots
- Selected Channel Operation
- DAW and Hard Disk Recorder Transport Control
- DAW Remote Control Layers
- User Assignable Layers
- Advanced Surround Panning
- Sample Rate: Internal 44.1-96kHz, External 44.1kHz -10% -96kHz +6%
- Internal Processing Bit Depth: 32 Bit
- A/D Conversion: 24 Bit
- D/A Conversion: 24 Bit
- Scene Memories: 99
- Number of Faders: 17, Motorized, Touch Sensitive
- MIDI IN/OUT/THRU
- BNC Word Clock In
- Time Code via SMPTE
PM5D
DIGITAL MIXER
PM5D
RELEASED: 2004
CODE_NAME: Vegas (Vegas3000)
The PM5D was created in response to user demand for a console that was somewhere between the PM1D, which was simply too much console for many smaller applications, and the DM2000 that was being used in situations that didn't require the capabilities of the PM1D. The PM5D offered the outstanding sound quality of the PM1D, but with half the channel capacity (the "5" in the product name actually represents "0.5"). Features like a full complement of analog inputs on the rear panel, plenty of space to apply a fader scribble strip, and other refinements made it easy for analog users to cross over into the world of high-performance digital mixing.
- 48 Mono In x 4 Stereo In x 24 Mixes x 8 Matrices x 2 Stereo Masters
- 4-Band PEQ and Dynamics on all Channels
- 4 MY Card Slots
- Selected Channel Operation
- DAW and Hard Disk Recorder Transport Control
- DAW Remote Control Layers
- User Assignable Layers
- Advanced Surround Panning
- Sample Rate: Internal 44.1-96kHz, External 44.1kHz -10% -96kHz +6%
- Internal Processing Bit Depth: 32 Bit
- A/D Conversion: 24 Bit
- D/A Conversion: 24 Bit
- Scene Memories: 501
- Number of Faders: 38, Motorized
- MIDI IN/OUT/THRU
- BNC Word Clock In
- Compact Flash Storage
01V96
DIGITAL MIXER
01V96
RELEASED: 2003
CODE_NAME: Jade
The 01V was prized in a variety of applications, from professional production to private studios to live sound. The 01V96 took that versatility to a new level. 96kHz sampling, 100mm motor faders, surround mixing, and DAW control were just a few of the features that made this console a standout in the entry-level category.
- 32 Mono In x 4 Stereo In x 8 Groups x 8 Auxes x 1 Stereo Master
- 4-Band PEQ and Dynamics on all Channels
- 1 MY Card Slot
- DAW and Hard Disk Recorder Transport Control
- User Assignable or DAW Remote Control Layer
- Sample Rate: Internal 44.1-96kHz, External 44.1kHz -10% -96kHz +6%
- Internal Processing Bit Depth: 24 Bit
- A/D Conversion: 24 Bit
- D/A Conversion: 24 Bit
- Scene Memories: 99
- Number of Faders: 17, Motorized, Touch Sensitive
- MIDI IN/OUT/THRU
- BNC Word Clock In
M7CL
DIGITAL MIXER
M7CL
RELEASED: 2005
CODE_NAME: Monaco (Monaco500)
Development of the M7CL began with the question: "are analog mixers really ideal when it comes to ease of use?" The adoption of a touch screen for control while eliminating the cursor keys, dial, and enter keys that had previously been used on Yamaha digital consoles proved that digital mixers could be just as easy, if not easier to operate. Furthermore, all primary control functions were concentrated into just two display pages. It was also the M7CL that introduced the Centralogic™ concept for the first time, allowing direct hands-on control of all channels from the console's center position.
- 32 or 48 Mono In x 4 Stereo In x 16 Mixes x 8 Matrices x 1 Stereo x 1 Mono
- 32 or 48 Analog Input options, or 48 Ethersound Input Option
- 3 MY Card Slots
- Centralogic Touchscreen Workflow
- No Input Layers
- Ethernet Control Port
- Sample Rate: Internal 44.1-48kHz, External 44.1kHz -10% -48kHz +6%
- Internal Processing Bit Depth: 32 Bit
- A/D Conversion: 24 Bit
- D/A Conversion: 24 Bit
- Scene Memories: 300
- Number of Faders: 46 or 68, Motorized
- MIDI IN/OUT
- BNC Word Clock In
- USB Memory Device Storage
LS9
DIGITAL MIXER
LS9
RELEASED: 2006
CODE_NAME: Macao
The LS9, targeted at the club and "live house" market, was born through a fusion of the concepts developed for the M7CL and the full force of Yamaha digital technology and know-how. It provided all essential functions of a live sound system in a digital package that was small and light enough for a single operator to transport and use anywhere. It was, quite simply, a comprehensive digital solution for live sound. Two models are available: the rack-mountable LS9-16, and the larger LS9-32.
- 64 or 32 Mono In x 4 Stereo In x 16 Mixes x 8 Matrices x 1 Stereo x 1 Mono
- 32 or 16 Analog Inputs
- 2-1 MY Card Slots
- Simplified Layer Based Operation with Custom Fader Layer
- Ethernet Control Port
- Light Portable Form Factor
- LS9-16 Rack Mountable
- Sample Rate: Internal 44.1-48kHz, External 44.1kHz -10% -48kHz +6%
- Internal Processing Bit Depth: 32 Bit
- A/D Conversion: 24 Bit
- D/A Conversion: 24 Bit
- Scene Memories: 300
- Number of Faders: 17 or 33, Motorized
- MIDI IN/OUT
- BNC Word Clock In
- USB Memory Device Storage
PM1D
2001
DM2000
2002
02R96
2002
DM1000
2003
01V96
2003
PM5D
2004
M7CL
2005
