EFFECT LIBRARY

Reverb Effects
No.
 EFFECT NAME EFFECT TYPE
01 Reverb Hall REVERB HALL A simulation of the reverb in a concert hall or other large enclosed space.
02 Reverb Room REVERB ROOM The type of reverb you might hear in a room which is smaller than the concert hall of Reverb Hall, above.
03 Reverb Stage REVERB STAGE A reverb suited to vocals.
04 Reverb Plate REVERB PLATE A plate reverb simulation with a relatively hard sound.
05 Early Ref. EARLY REF. This effect produces only the early-reflections portion of the overall reverb sound. It can be used to add thickness, or as an alternative echo effect.
06 Gate Reverb GATE REVERB A gated version of the Early Ref. Effect. Ideal for use with drums.
07 Reverse Gate REVERSE GATE Early reflections played back in reverse. Produces reverse playback effects with sounds that have a strong attack.

Delay Effects
No.
 EFFECT NAME EFFECT TYPE
08 Mono Delay MONO DELAY A monaural delay. A comprehensive set of parameters is provided to allow sophisticated delay effects.
09 Stereo Delay STEREO DELAY A stereo delay. Independent parameters are provided for the left and right channels.
10 Mod.Delay MOD.DELAY Mono delay plus modulation capability.
11 Delay LCR DELAY LCR A 3-tap delay with left, center, and right channel delays.
12 Echo ECHO More precisely controllable than the Stereo Delay. Feedback can be applied from the left to right or right to left channels.

Modulation Effects
No.
 EFFECT NAME EFFECT TYPE
13 Chorus CHORUS A 3-phase stereo chorus which can be used to add depth and thickness to the sound.
14 Flager FLANGE A flanger effect: sort of like chorus with feedback. Produces interesting results with sources that are rich in harmonics.
15 Symphonic SYMPHONIC An original Yamaha effect which is a more complex effect than chorus and can be used to create exceptionally rich modulation effects.
16 Phaser PHASER A stereo phaser with 2 to 16 stages of phase shift. Chorus and flange effects are produced by delay time modulation, while the phaser effect is produced by modulating the phase of the input signal for particularly well-defined sound.
17 Auto Pan AUTOPAN Applies reverse-phase tremolo to the left and right channels, thus producing a flying stereo pan effect.
18 Tremolo TREMOLO A broadly-variable tremolo effect.
19 HQ.Pitch HQ.PITCH A very stable single-note pitch shift effect.
20 Dual Pitch DUAL PITCH Independent pitch shift for the left and right channels.
21 Rotary ROTARY A rotary speaker simulation.
22 Ring Mod. RING MOD. High-frequency modulation applied to the input signal produces distinctive pitch effects. Modulation can even be applied to the modulating frequency.
23 Mod.Filter MOD.FILTER Low-pass, high-pass, or bandpass filter frequency modulation via LFO.

Guitar Effects
No.
 EFFECT NAME EFFECT TYPE
24 Distortion DISTORTION Two types of distortion, two types of overdrive, and five crunch effects.
25 Amp simulate AMP SIMULATE A wide variety of amp sounds can be created by combining 10 amp models and five types of distortion.

Dynamic Effects
No.
 EFFECT NAME EFFECT TYPE
26 Dyna.Filter DYNA.FILTER When the source is set to INPUT the input level determines the filter frequency offset. When the source is set to MIDI the filter frequency offset is determined by the received MIDI note number.
27 Dyna.Flange DYNA.FLANGE When the source is set to INPUT the input level determines the delay time. When the source is set to MIDI the delay time is determined by the received MIDI note number.
28 Dyna.Phaser DYNA.PHASER When the source is set to INPUT the input level determines the phase shift point. When the source is set to MIDI the phase shift point is determined by the received MIDI note number.

Combination Effects
No.
 EFFECT NAME EFFECT TYPE
29 Rev+Chorus REV+CHORUS REVERB and CHORUS connected in parallel.
30 RevChorus REVCHORUS Reverb and CHORUS connected in series.
31 Rev+Flange REV+FLANGE REVERB and FLANGE connected in parallel.
32 RevFlange REVFLANGE REVERB and FLANGE connected in series.
33 Rev+Sympo. REV+SYMPO. REVERB and SYMPHONIC connected in parallel.
34 RevSympho. REVSYMPHO. REVERB and SYMPHONIC connected in series.
35 RevPan REVPAN REVERB and AUTO PAN connected in series.
36 Delay+ER. DELAY+ER. DELAY (2-tap) and EARLY REFLECTIONS connected in parallel.
37 DelayER. DELAYER. DELAY (2-tap) and EARLY REFLECTIONS connected in series.
38 Delay+Rev DELAY+REV DELAY (2-tap) and REVERB connected in parallel.
39 DelayRev DELAYREV DELAY (2-tap) and REVERB connected in series.
40 DistDelay DISTDELAY DISTORTION and DELAY connected in series.

Other Effects
No.
 EFFECT NAME EFFECT TYPE
41 Multi.filter MULTI.FILTER A 3-band parallel filter.