AW2400
Professional Audio Workstation

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Yamaha’s groundbreaking AW16G and AW4416 digital audio workstations not only brought the "studio in a box" concept directly to musicians they also provided immediate access to inspiration and creativity. That legacy continues with the introduction of the AW1600 and AW2400 workstations.
The AW1600 and AW2400 have everything needed to record your music anytime, anywhere in compact, road-worthy designs. The AW2400 is the new flagship of the AW line with 24 simultaneous tracks of playback, motorized 100mm faders, and the same expansion slot found on Yamaha’s digital mixing consoles for connecting the AW to professional studio gear. The AW2400 proves that an audio workstation that’s easy to use can also offer professional-class features and performance for music production. Once you’ve learned the basics you can efficiently go from concept to CD while concentrating on the music rather than the technical details. |
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| Up To 16 Inputs, 24 Tracks |
The AW2400 mixer supports up to 16 simultaneous inputs in two layers: eight of the 12 100-millimeter motor faders provided on the AW2400 panel can be instantly switched to control inputs 1~8 or 9~16. Eight balanced mic/line XLR type connectors as well as eight balanced or unbalanced TRS phone jacks are provided on the rear panel for direct input, and an additional eight analog or digital inputs can be provided via an optional Mini-YGDAI expansion card plugged into the AW2400 expansion slot. With all 16 inputs available you can even record 16 tracks simultaneously when recording in 16-bit mode, or you can record up to 8 tracks simultaneously in 24-bit mode. ![]() ![]() For 16-bit recording and playback the AW2400 recorder section offers a total of 24 tracks, or 12 tracks for 24-bit recording and playback. You also have 8 virtual tracks per physical track that’s 26 (24 + stereo) x 8 in 16-bit mode or 14 (12 + stereo) x 8 in 24-bit
mode) that provide plenty of capacity for alternate takes or arrangements. Any of the mixer’s inputs can be easily patched to any of the recorder’s tracks for maximum recording flexibility. When the TRACK 1~12 or 13~16 mix layer is selected the faders adjust playback level from recorder tracks 1~12 or 13~16, respectively. |
| 4-band EQ & Dynamics On Every Input & Track |
Although some level of EQ capability on every track has come to be expected, there was a time not so long ago when not even large mixing consoles in multi-million-dollar recording studios offered compression and gating on every channel. With the AW2400 you have just that: in addition to extremely versatile 4-band equalization, you have independent compression and gating capability on every single input channel and recorder track for total dynamics control over your mixes. |
![]() EQ EDIT |
![]() COMP EDIT |
![]() GATE EDIT |
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Click on any image above to enlarge | ||
| Comprehensive Interface with Yamaha Selected Channel Concept |
Built around a large 320 x 240 dot backlit LCD display panel, the AW2400 interface makes recording and mixing even complex projects a smooth, efficient operation. Quick navigation keys take you to the functions and displays you need immediately, and a comprehensive complement of control keys and encoders gives you hands-on intimacy where you need it most. The same Selected Channel concept that is at heart of Yamaha’s industry-leading digital live mixers and production consoles makes the AW2400 easy to learn and intuitive to use. There’s even a numeric keypad for fast numeric entry and location, and large transport keys for sure transport operation, and a data entry section that includes a jog/data dial for fast, efficient data entry. |
| From Song to CD In One Unit | |||||||
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| Pitch Fix for Pitch-perfect Vocal Tracks | |
If a song has vocals, you’ll undoubtedly want the vocal track to sound as good as you can possibly make it. Since singers are human the occasional off note is to be expected, but with the AW2400 Pitch Fix function they won’t mean you’ll have to discard an otherwise excellent track. Pitch Fix can effectively "repair" notes that are a bit sharp or flat without adding any telltale digital artifacts. |
| Quick Sound Clips | |
Whenever you need to quickly record a musical "memo" or sample for later use, the AW2400 Sound Clip function is ready to roll. Sound clips are an ideal way to quickly capture ideas for a song or arrangement, or to create simple accompaniment parts for practice. |
| Serious I/O | |
Unlike many all-in-one audio workstations the AW2400 provides a full complement of eight balanced XLR connectors for microphone or line input, as well as eight TRS phone jacks for either balanced or unbalanced line input. Switchable phantom power is provided for the XLR inputs so you can use studio-grade phantom-powered condenser microphones in order to capture superior sound right from the source. Insert patch points on inputs 1 and 2 allow insertion of external processing gear. Direct digital stereo input and output capability is provided via coaxial S/P DIF input and output connectors. In addition to the main stereo and monitor outputs, the AW2400 also features four OMNI OUT connectors that can be assigned to output signals from just about anywhere in the system for additional signal feeds wherever they might be required. When you need more inputs and/or outputs analog or digital you have an excellent range of Yamaha Mini-YGDAI expansion cards from which to choose. |
| The Computer Connection | |
The AW2400 features a fast USB 2.0 interface that can be connected to a USB-equipped personal computer to allow standard WAV files to be transferred back and forth. You can back up audio data from the AW2400 directly to computer and import audio files into the AW2400 from the computer. In addition to providing advanced file management capabilities this means you could, for example, move files to the computer for processing in a computer-based audio application and then move them back to the AW2400 for final mastering. |
| MIDI Remote Control | |
The AW2400 allows full parameter control via MIDI commands, so you can record scene changes as well as control changes from the AW2400 to a MIDI sequencer, for example, and then reproduce the recorded operations precisely when the sequence is played back. If you’ll be using the AW2400 with MIDI gear such as a Yamaha MOTIF ES series synthesizer, the AW2400 includes a number of control "templates" that instantly set it up for convenient remote controls from the synth’s keys and encoders. |

| Band Recording Since the AW2400 allows simultaneous recording of up to 16 tracks with an optional mini-YGDAI I/O card installed, it is an ideal choice for making one-take band recordings. And once the band is recorded, you can use it’s advanced mixing capabilities and effects to mix, master, and burn directly to CD! |
AW + Computer Production All you need to connect to a personal computer is a single USB cable. Once connected you can use the computer to manage and back up your audio files and projects, and even use computer-based audio editors for additional production control. You can even control the AW2400 remotely from the computer. |
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| AW2400 Specifications | ||
| GENERAL SPECIFICATIONS All faders are nominal when measured. Output impedance of signal generator: 150ohms | ||
| Internal Processing | 32bit | |
| Sampling Frequency | 44.1kHz (-6% ~ +6%) | Internal Clock External Clock |
| Frequency Response | 0, +1 / -3 dB, 20Hz - 20kHz, ref to the nominal output level @1kHz (MIC/LINE INPUT – STEREO OUT) (GAIN max) |
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| Total Harmonic Distortion Fs = 44.1kHz * Total Harmonic Distortion is measured with 20kHz LPF |
Less than 0.05% @20Hz ~ 20kHz / +4dBu (MIC/LINE INPUT – STEREO OUT) (GAIN min) |
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| Dynamic Range * Dynamic range is measured with IHF-A filter |
115 dB typ. DA Converter (STEREO OUT) 103 dB min. DA Converter (STEREO / AUX OUT), (INPUT CH all off) 110 dB typ. AD+DA (MIC/LINE INPUT to STEREO OUT) 104 dB min. AD+DA (MIC / LINE INPUT to STEREO OUT) (GAIN min) |
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| Crosstalk@1kHz | -70 dB | |
| Phantom Voltage | 48V | |
| AD Converter | 24 Bit Linear / 128 Times Oversampling | |
| DA Converter | 24 Bit Linear / 128 Times Oversampling | |
| MIDI | MTC (Master / Slave), MIDI Clock (Master), MMC (Master / Slave), Program Change, Control Change | |
| Memory | Scene Memory, EQ Library, Compressor Library, Gate Library, Effect Library, Channel Library | |
| Fader | 13 x 100mm (Moterized) | |
| Display | 320 x 240 dot GRAPHIC LCD (contrast control pot.) | |
| Power Requirements | 120V 60Hz 85W, 230V 50Hz 85W, 220-240V 50/60Hz 85W | |
| Dimensions (W x D x H) : mm |
533 x 503 x 153 | |
| Net Weight | 11.5kg | |
| Operating Temperature | 5~35°C | |
| * 0dBu is referenced to 0.775 Vrms | ||
| MIXER | ||
| Audio Input Section | MIC / LINE INPUT DIGITAL STEREO IN |
8 CH (XLR & PHONE) 2 CH (STEREO PHONE X 1) |
| Audio Output Section | Stereo Out Monitor Out |
2 CH (STEREO x 1) 2 CH (STEREO x 1) |
| Card Slot | Mini-YGDAI CARD SLOT | 1Slot, max 16 CH (for Mini-YGDAI Card) |
| Mixer Input Section | MIC / LINE INPUT INTERNAL EFECT RETURN RECORDER MONITOR |
Total 48 CH 16 CH 8 CH (STEREO x 4) 24 CH |
| Internal Effect Section | EFFECTS | 4 Units |
| Master Section | BUS AUX SOLO STEREO EFFECT |
Total 16 Bus 4 CH (STEREO x 2) 4 CH 2 CH (STEREO x 1) 2 CH (STEREO x 1) 4 CH |
| COMMUNICATION WITH EXTERNAL DEVICES | |
| MIDI IN | 5 pin DIN |
| MIDI OUT / THRU | 5 pin DIN |
| FOOT SW | PHONE |
| USE 2.0 | Type B |
| RECORDER | |||
| Recording Resolution | 16bit / 24bit | ||
| Sampling Frequency | 44.1 / 48kHz | ||
| Maximum Number of Songs | 100 songs | ||
| Maximum Number of Simultaneous Recording / Playback Tracks |
16 Tracks Recording (16bit) 8 Tracks Recording (24bit) |
24 Tracks Playback (16bit) 12 Tracks Playback (24bit) |
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| Number of Tracks | 208 Tracks (24 Tracks + STEREO Track) x 8 Virtual (16bit) 112 Tracks (12 Tracks + STEREO Track) x 8 Virtual (24bit) | ||
| HDD | Type Capacity |
3.5"IDE 40 GB |
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| Edit Functions | Song Edit Track Edit |
OPTIMIZE, DELETE, COPY, IMPORT ERASE, DELETE, INSERT, COPY, MOVE, EXCHANGE, TIME COMP / EXPAND, PITCH CHANGE, EXPORT, CD IMPORT, WAV IMPORT |
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| Other Functions | LOCATE PUNCH I / O PITCH FIX |
Quick LOCATERTZ, A, B, LAST REC IN, LAST REC OUT, DIRECT LOCATE 1 ~ 9 MARK1~99 MANUAL PUNCH I / O, AUTO PUNCH I / O |
CD-RW DRIVE | DATA BACKUP, CD-AUDIO MAKEUP and PLAYBACK, CD-AUDIO IMPORT, WAV FILE IMPORT |
| ANALOG INPUT CHARACTERISTICS | ||||||
| Input Terminals |
GAIN | Actual Load Impedance |
For Use With Nominal |
Input Level | Connector | |
| Nominal | Max. before Clip |
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| INPUT [1-8] | Min | 3kΩ | 50-600Ω Mics & 600Ω Lines |
+4dBu (1.23V) | +18dBu (6.16V) | Combo type (XLR+PHONE) |
| Max | -46dBu (3.88mV) | -32dBu (19.47mV) | ||||
| INPUT [1,2] | Min | 500kΩ | +46dBu (1.23V) | +18dBu (6.16V) | Phone Jack | |
| INPUT:XLR-3-31 type connectors are balanced. (1=GND, 2=HOT, 3=COLD) INPUT:Phone jacks are balanced. (Tip=HOT, Ring=COLD, Sleeve=GND) INSERT INStereo phone jack is unbalanced. (Tip=INSERT OUT, Ring=INSERT IN, Sleeve=GND) In these specifications, 0dBu=0.775 Vrms. All AD converters (INPUT1-8) are 24 bit linear, 128times oversampling. +48V DC (phantom power) is supplied to INPUT(1-8) XLR type connectors via each INPUT1-4, INPUT5-8 switch. |
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| ANALOG OUTPUT CHARACTERISTICS | ||||||
| Output Terminals |
Actual Source Impedance |
For Use With Nominal |
Output Level | Connector | ||
| Nominal | Max. before Clip |
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| STEREO OUT [L,R] | 75kΩ | 600kΩ Lines |
+4dBu (1.23V) | +24dBu (12.28V) | Phone Jack (TRS Balanced) | |
| MONITOR OUT [L,R] | 600kΩ | 600kΩ Lines |
+4dBu (1.23V) | +24dBu (12.28V) | Phone Jack (TRS Balanced) | |
| OMNI OUT [1-4] | 10kΩ | 10Ω Lines | 0dBu (0.775V)Ω | +20dBu (7.75V) | Phone Jack (Unbalanced) | |
| INSERT OUT [L,R] | 600kΩ | 10Ω Lines | 0dBu (0.775V)Ω | +20dBu (7.75V) | Stereo Phone Jack (TRS) |
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| PHONES [L,R] | 100kΩ | 8~40Ω | 6mW/8Ω 19mW/40Ω |
25mW/8Ω 75mW/40Ω |
Stereo Phone Jack (TRS) |
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| STEREO OUT, MONITOR OUTphone jacks are balanced. (Tip=HOT, Ring=COLD, Sleeve=GND) INSERT OUTStereo phone jack is unbalanced. (Tip=INSERT OUT, Ring=INSERT IN, Sleeve=GND) PHONESStereo phone jack is unbalanced. (Tip=LEFT, Ring=RIGHT, Sleeve=GND) In these specifications, 0dBu=0.775 Vrms. All DA converters are 24bit, 128times oversampling. |
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| DIGITAL INPUT CHARACTERISTICS | |||
| Terminal | Format | Data length | Connector |
| DIGITAL STEREO IN | IEC-60958 (S/P DIF) | 24bit | RCA Pin Jack |
| DIGITAL OUTPUT CHARACTERISTICS | |||
| Terminal | Format | Data length | Connector |
| DIGITAL STEREO OUT | IEC-60958 (S/P DIF) | 24bit | RCA Pin Jack |
| CONTROL I / O CHARACTERISTICS | ||||
| Terminal | Format | Level | Connector | |
| (TO HOST) | USB | USB 2.0 | 0V - 3.3V | B type USB connector |
| MIDI | IN | MIDI | | DIN Connector 5P |
| OUT/THRU | MIDI | | DIN Connector 5P | |
| OPTIONS Available Mini-YGDAI card specifications | ||||||
| Model | Function | Input | Output *¹ | Format | Resolution | Frequency |
| MY16-AT | Digital I/O | 16 | 16 | ADAT | 24 bit | 44.1/48 kHz |
| MY16-AE | Digital I/O | 16 | 16 | AES/EBU | 24 bit | 44.1/48 kHz |
| MY16-TD | Digital I/O | 16 | 16 | TASCAM | 24 bit | 44.1/48 kHz |
| MY16-mLAN | mLAN Interface |
16 | 16 | IEEE1394 | 24 bit | 44.1/48 kHz |
| MY8-AD96 | ANALOG IN | 8 | | | 24 bit | 44.1/48/ |
| MY8-DA96 | ANALOG OUT | | 8 | | 24 bit | 44.1/48/ |
| MY8-AE96S *¹ | Digital I/O | 8 | 8 | AES/EBU | 24 bit | 44.1/48/ |
| MY8-AE96 | Digital I/O | 8 | 8 | AES/EBU | 24 bit | 44.1/48/ |
| MY8-AT | Digital I/O | 8 | 8 | ADAT | 20 bit | 44.1/48 kHz |
| MY8-TD | Digital I/O | 8 | 8 | TASCAM | 24 bit | 44.1/48 kHz |
| MY8-AE | Digital I/O | 8 | 8 | AES/EBU | 24 bit | 44.1/48 kHz |
| MY8-AD | ANALOG IN | 8 | | | 24 bit | 44.1/48 kHz |
| MY4-AD | ANALOG IN | 4 | | | 24 bit | 44.1/48 kHz |
| MY4-DA | ANALOG OUT | | 4 | | 20 bit | 44.1/48 kHz |
| MY8-AD24 | ANALOG IN | 8 | | | 24 bit | 44.1/48 kHz |
| Y96K | Effect & I/O | 8 | 8 | ADAT | 24 bit | 44.1/48 kHz |
| The AW1600 has no I/O expansion slot and cannot use optional mini-YGDAI cards. * Guidance on the use of Mini-YGDAI cards http://www.yamahaproaudio.com/products/mixers/02r96/options.html |
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Block Diagram
Brochure
Dimensions
| Optional: | |
| FC-5 | Foot Switch Style Sustain Pedal |
| RH3C | Professional Monitor Headphones |
| RH5MA | Professional Monitor Headphones |
| Options Available Mini-YGDAI card specifications | ||||||
| MY16-AT | 16-channel ADAT I/O | |||||
| MY16-AE | 16 Channel Digital I/O Card | |||||
| MY16-TD | 16 Channel Digital I/O Card | |||||
| MY16-mLAN | 16-channel digital audio and MIDI interface on mLAN (IEEE1394) | |||||
| MY8-AD96 | 96 kHz Series Mini YGDAI Card | |||||
| MY8-DA96 | 96 kHz Series Mini YGDAI Card | |||||
| MY8-AE96S | 96 kHz Series Mini YGDAI Card | |||||
| MY8-AE96 | 96 kHz Series Mini YGDAI Card | |||||
| MY8-AT | Eight ADAT digital format I/O (optical connectors) | |||||
| MY8-TD | Eight TDIF digital format I/O (25-pin D-Sub connector) | |||||
| MY8-AE | Eight AES/EBU digital format I/O on a 25-pin D-Sub connector | |||||
| MY8-AD | Eight 20-bit analog inputs on balanced 1/4" connectors | |||||
| MY4-AD | Four 24-bit analog inputs on XLR connectors | |||||
| MY4-DA | Four 20-bit analog outputs on XLR connector | |||||
| MY8-AD24 | Eight 24-bit analog inputs on balanced 1/4" connectors | |||||
| Y96K | 96kHz plug-in DSP card | |||||
| The AW1600 has no I/O expansion slot and cannot use optional mini-YGDAI cards. * Guidance on the use of Mini-YGDAI cards http://www2.yamaha.co.jp/div/webmg/pa_card/e/check.php3 |
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