DM1000V2

DM1000 Digital Production Console with Version 2 Software

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ADD-ON EFFECTS
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| Unique and Valuable Effects Programs Specifically Designed for the Digital Consoles More Info |
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SP1000
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| Side Panel More Info |
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RK1
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| Rack Mount Kit More Info |
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MLA8
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| Eight-Channel Mic Line Amplifier for Exceptionally Clear Sound Reproduction More Info |
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AD8HR
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| Awe-inspiring Sound Quality Derived from the PM5000 with Sampling Rates of up to 96kHz More Info |
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MB1000
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| Meter Bridge More Info |
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Y96K
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| WAVES Plug-In Effects Card More Info |
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MY4DA
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| Four 20-bit analog outputs on XLR connector More Info |
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MY4AD
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| Four 24-bit analog inputs on XLR connectors More Info |
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MY8AD24
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| Eight 24-bit analog inputs on balanced 1/4" connectors More Info |
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MY8TD
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| Eight TDIF digital format I/O (25-pin D-Sub connector) More Info |
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MY8AT
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| Eight ADAT digital format I/O (optical connectors) More Info |
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MY8AE
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| Eight AES/EBU digital format I/O on a 25-pin D-Sub connector More Info |
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MY8AE96S
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| Eight-channel AES/EBU digital format I/O with sample rate conversion More Info |
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MY8AE96
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| Eight-channel AES/EBU digital format I/O More Info |
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MY8DA96
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| Eight-channel analog output card More Info |
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MY8AD96
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| Eight-channel line-level analog input card More Info |
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MY8ADDA96
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| 8 Channel Analog I/O Card for DME64N/24N and Yamaha Digital Mixers
More Info |
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MY16mLAN
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| mLAN Interface Card More Info |
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MY16TD
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| Mini-YGDAI Digital I/O card for DM2000, 02R96, DM1000 More Info |
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MY16AE
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| Mini-YGDAI Digital I/O card for DM2000, 02R96, DM1000 More Info |
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MY16AT
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| Mini-YGDAI Digital I/O Card for DM2000, DM1000 and 02R96 More Info |
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MY8AEB - NEW!
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| 8 channel AES/EBU format I/O with REF VIDEO Input More Info |
| New Features |
| ESAMII Support |
| DM1000V2 will support the following equipment. |
| ADD-ON EFFECT Capability |
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the future.) American’70) |
| Advanced Surround Functions |
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| Advanced DAW Integration |
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Selected Channel) |
| Automix |
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| Broadcast Applications |
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| Live SR/Theater Applications |
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| Others |
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AVY16-ES, and more) |
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The Yamaha Studio Manager gives you access to the console’s parameters for either on-line or offline control, and can manage an extensive archive of mix data, scene memory and library files, and it can be used as a medium to exchange data between the Yamaha Digital Consoles. STUDIO MANAGER Version 2 application for Windows 2000/XP and Mac OS X platforms provide a number of enhancements that makes the already indispensable program more flexible and powerful than ever. It has now become a truly multi-client platform that can accommodate, for example, multiple DM1000 and/or DM2000, and various Yamaha editors such as SPX2000 editor, and realize the total recall of the settings in the connected equipment. The STUDIO MANAGER Version 2 also integrates the GUI for ADD-ON EFFECTS. |
| Overall New Features |
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| Patch Editor Window |
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effect block |
| Layer Window |
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| Meter Window (NEW) |
| Library Window |
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| Master Fader Window (NEW) |
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| Selected Channel Window |
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| Effect Editor Window |
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| Specifications and appearance subject ot change without notice. |
| DM1000 Digital Production Console |
| General Features |
| 96 kHz standard |
Unlike conventional equipment that operates in 96 kHz mode only with a reduced number of channels, this Yamaha console imposes no such limitations, delivering the full number of channels at 44.1 kHz, 48 kHz, 88.2 kHz or 96 kHz. Full 96 kHz resolution with 32-bit internal processing and 58-bit accumulators is the standard for the DM1000 (and for the DM2000 and 02R96). With the DM1000, you get 48 channels of transparent, super-dynamic 24-bit/96 kHz audio, plus all the additional effects and processing you'll ever need for most applications. Yamaha has included a comprehensive range of 96 kHz compatible stereo effects with 32-bit internal processing in the DM1000 - plus several designed specifically for surround. And you can use as many as four individual effect processors simultaneously. |
| Finest analog mic preamps & converters |
The head amplifiers are derived from the acclaimed DM2000 some of the finest analog mic preamps available in any console, anywhere. The on-board 24-bit/96 kHz AD/DA converters ensure that you get an excellent digital representation of the warm, transparent output from these remarkable mic preamps. The DM1000 is equipped with 20 analog inputs with XLR connectors, 16 of which have mic preamps, and 12 analog outputs with XLR connectors. It also provides two I/O slots each capable of 16 channels of I/O, which you can configure to your needs using Mini-YGDAI digital and analog I/O cards. |
| 48 channels in three layers, plus extraordinary patching flexibility |
One of the advantages of working with digital is that it allows maximum power and flexibility to be packed into minimum space. On the DM1000, seventeen precision 100-millimeter motorized channel faders can be instantly layer-switched to control any of 48 channels, plus auxiliary, bus, and remote channels. What's more, all available inputs, outputs, effects, and channel inserts can be assigned to any of the console's channels or outputs via the DM1000's remarkably versatile, easy-to-use digital patching system. The eight auxiliary buses can also be patched to anywhere in the system, and patch setups you might want to use again can be stored in the patch library for instant recall at any time. |
| Top-quality channel compression, gating, EQ, and delay |
All 48 input channels of the DM1000 feature flexible, independent compression and gating/ducking processors for dynamics control. The four-band parametric channel equalizers also offer extra versatility with switchable "type I" or "type II" EQ algorithms to deliver the type of EQ response you prefer. Even the channel delay goes beyond the norm, with a maximum delay of 453 milliseconds. |
| Expandable data libraries |
Setting up EQ, compression, and other parameters for a mix from scratch can be a daunting task, so Yamaha has provided an extensive selection of presets in a range of "libraries" that can simply be selected and used unmodified, or edited to suit specific requirements. Libraries are provided for effects, compression, gating, EQ, I/O patching, and more. Of course, your own setups can be added to the libraries for instant recall whenever they are needed. |
| I/O expandability and plug-in capability |
The DM1000's real I/O versatility comes in the form of two Mini-YGDAI expansion slots. The expansion slots are 24-bit/96 kHz compatible, so you can select I/O and processing cards to provide the input/output configuration and processing capabilities that are perfect for your needs. Whether you need digital I/O in ADAT, TASCAM, or AES/EBU format, or extra analog I/O capability, the appropriate Mini-YGDAI cards are available. A 16-channel ADAT card (MY16-AT) is now available and 16-channel TASCAM and AES/EBU cards (MY16-TD, MY16-AE) are set for delivery in March 2003. Apogee's high-performance A/D and D/A cards are also supported, as is the very powerful Waves Y56K effects plug-in card. For more information and/or guidance on the use of Mini-YGDAI cards, visit www.yamahaproaudio.com. |
| A complete surround solution |
The DM1000 provides everything you need for complete surround processing, panning and monitoring including mini joystick without any external equipment or the need to reassign channels for surround use. In addition to graphic monitor configuration displays, the DM1000 also provides multi-channel surround pan/position displays so you can see at a glance where multiple channels sit in the surround mix. Additional facilities provided by the monitor processing section include individual bus (speaker) muting and attenuation, overall level control for all monitor outputs, bass management for subwoofer delivery, independent delays for precision speaker tuning, fold-down mixing and stem mix monitoring via independent source selection capability for each expansion slot. |
| Intuitive and consistent interface designed for maximum productivity |
The user interface of the DM1000 is consistent with the DM2000 and 02R96. If you've used either of them before, you'll feel right at home with the DM1000. Though much smaller than the other two, the selected channel of the DM1000 gives you realtime control of essential functions. There are also twelve user-defined keys which can be assigned the functions of your choice. |
| Comprehensive automation and scene control |
The DM1000 takes automation and scene memory recall to new levels of precision and ease-of-use. While providing full automation of virtually all console parameters, the DM1000 features smooth and quiet touch-sensitive, 100mm motorized faders that make writing and updating automated mixes faster and more intuitive than ever. And all automation data is recorded at 1/4-frame accuracy to ensure excellent precision. |
| Meter bridge |
The MB1000 Peak Meter Bridge is a complete level-monitoring station with sixteen 12-segment level meters that can be used to display pre-EQ, pre-fader, or post-fader input channel signal levels. An additional eight meters display levels of the console's eight buses. The MB1000 also features a time-code display. A separate 32-segment stereo meter is provided beside the LCD screen of the main unit. |
| Studio manager software supplied |
The DM1000 comes with Yamaha's Studio Manager application for both Macintosh® and Windows® platforms, allowing total control and management of all console parameters via a comprehensive graphic interface. Studio Manager also serves as a common medium for exchanging mix data between the DM1000, DM2000 and 02R96. |
| Integrated DAW control |
The DM1000 has been designed to integrate tightly with leading digital audio workstations such as Digidesign's Pro Tools® system, Steinberg's Nuendo® and E-Magic's Logic Audio to create a complete production and mixing environment. Mixing and processing parameters, as well as transport control and editing functions can be controlled directly from the DM1000 panel. Since the DM1000 employs the same control protocol as Yamaha's flagship DM2000 and 02R96, collaboration with software/hardware developers brings the same benefits to all three consoles. |
| For more information |
For more information, contact your local Yamaha subsidiary and their websites, or visit www.yamahaproaudio.com. The Yamaha PA-DMI division offers a complete line of professional audio products for the commercial recording, production, broadcast, project studio, live sound, and sound reinforcement markets. Yamaha is a leading manufacturer of breakthrough digital console technology with products that include the DMC1000, ProMix01, 02R, 03D, 01V digital mixers and most recently the revolutionary Yamaha PM1D digital console, DM2000 digital production console and 02R96 digital mixing console. |
| GENERAL SPECIFICATIONS | ||
| Internal Signal Processing | 32-bit (Accumulator 58-bit) | |
| Sampling Frequency | Internal | 44.1kHz, 48kHz, 88.2kHz, 96kHz |
| External | Normal rate 44.1kHz-10% - 48kHz+6%
Double rate 88.2kHz-10&37; - 96kHz+6% |
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| Signal Delay | Less than 1.6ms CH INPUT to OMNI OUT (@Sampling frequency = 48kHz) Less than 0.8ms CH INPUT to OMNI OUT (@Sampling frequency = 96kHz) |
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| Fader | 100mm motorized with touch sense x 17 | |
| Total Harmonic Distortion* Input Gain=Min. CH INPUT to OMNI OUT |
* Less than 0.05% 20Hz to 20kHz
@+14dB into 600 Ω Less than 0.01% 1kHz @+24dB into 600 Ω (@Sampling frequency = 48kHz) Less than 0.05% 20Hz to 40kHz @+14dB into 600 Ω Less than 0.01% 1kHz @+24dB into 600 Ω (@Sampling frequency = 96kHz) |
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| Frequency Response CH INPUT to OMNI OUT |
0.5, -1.5dB 20Hz - 20kHz @+4dB into 600 Ω (@Sampling frequency = 48kHz) 0.5, -1.5dB 20Hz - 40kHz @+4dB into 600 Ω (@Sampling frequency = 96kHz |
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| Dynamic Range (maximum level to noise level) |
110dB typ. DA Converter (OMNI OUT) 106dB typ. AD+DA (to OMNI OUT) @fs=48kHz 106dB typ. AD+DA (to OMNI OUT) @fs=96kHz |
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| Hum & Noise** (20Hz-20kHz) Rs=150Ω Input Gain = Max. Input Pad = 0dB Input Sensitivity = - 60dB |
-128dB Equivalent Input Noise -86dB residual output noise. OMNI OUT STEREO OUT off -86dB (90dB S/N) OMNI OUT STEREO fader at nominal level and all CH INPUT faders at minimum level. -64dB (68dB S/N) OMNI OUT STEREO fader at nominal level and one CH INPUT fader at nominal level |
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| Maximum Voltage Gain | 74dB CH INPUT (CH1-16) to OMNI OUT (STEREO, BUS, AUX) (via STEREO bus) | |
| Crosstalk (@1kHz) Input Gain = Min. |
80dB adjacent input channels (CH1-16) 80dB input to output |
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| *Total Harmonic Distortion is measured with
a 6dB/octave filter @80kHz. ** Hum & Noise are measured with a 6dB/ octave filter @12.7kHz; equivalent to a 20kHz filter with infinite dB/octave attenuation. |
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| Power Requirements | U.S./Canada: 120V 135W 60Hz CE: 220-240V 135W 50/60Hz |
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| Dimensions | DM1000: 430 x 565 x 200mmDM1000+MB1000+SP1000:
486 x 635 x 295mm |
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| Net Weight | DM1000: 20kg, MB1000: 2kg, SP1000: 2kg | |
| Operating free-air temperature range | 10-35 oC | |
| Storage temperature range | -20-60 oC | |
| Accessories | AC Cable , CD-ROM (Studio manager) | |
| Options | Digital interface card (MY16, MY8, MY4 series) PEAK METER BRIDGE: MB1000 SIDE PAD: SP1000 RACK MOUNT KIT: RK1 |
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| ANALOG INPUT CHARACTERISTICS | ||||||||
| Input Terminals |
PAD | GAIN | Actual Load Impedance |
For Use With Nominal |
Input Level | Connector in Console |
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| Sensitivity*1 | Nominal | Max. before Clip |
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| CH INPUT 1/16 |
0 | -60dB | 3kΩ | 50-600Ω Mics & 600Ω Lines |
-70dB(0.245mV) | -60dB(0.775mV) | -40dB(7.75mV) | XLR-3-31 type (Balanced)*2 |
| -16dB | -26dB(38.8mV) | -16dB(0.123V) | +4dB(1.23V) | |||||
| 20 | -6dB(388mV) | +4dB(1.23V) | +24dB(12.28V) | |||||
| OMNI IN 1-4 | 10kΩ | 600Ω Lines |
+4dBV(1.23V) | +4dB(1.23V) | +24dB(12.28V) | XLR-3-31 type (Balanced)*2 | ||
| *1.Sensitivity is the lowest level that will produce an output of +4dB (1.23V) or the nominal output level when the unit is
set to maximum gain. (all faders and level controls are maximum position.)
*2. XLR-3-31 type connectors are balanced.(1=GND, 2=HOT, 3=COLD) • In these specifications, when dB represents are
specific voltage, 0dB is referenced to 0.775 Vrms. All input AD converters (CH INPUT 1-16,OMNI INPUT 1-4, TALKBACK) are 24bit linear,128times oversampling. +48V DC (phantom power) is supplied to CH INPUT (1-16) XLR type connectors via each individual switch. |
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| ANALOG OUTPUT CHARACTERISTICS | |||||
| Output Terminals |
Actual Source Impedance |
For Use With Nominal |
Output Level | Connector in Console |
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| Nominal | Max. before clip |
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| OMNI OUT (1-12) |
150Ω | 600Ω Lines |
+4dB(1.23V) | +24dB(12.28V) | XLR-3-32 type (Balanced)*1 |
| PHONES | 100Ω | 8Ω Phones 40Ω Phones |
4m W 12m W |
25m W 75m W |
Stereo Phone Jack (TRS) (Unbalanced)*2 |
| *1. XLR-3-32 type connectors are
balanced. (1=GND, 2=HOT, 3=COLD) *2. PHONES stereo phone jack is unbalanced. (Tip=LEFT, Ring=RIGHT, Sleeve=GND) In these specifications, when dB represents are specific voltage, 0dB is referenced to 0.775 Vrms. All output DA converters (OMNI OUT 1-12, PHONES) are 24bit, 128times oversampling. |
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| DIGITAL INPUT CHARACTERISTICS | ||||
| Terminal | Format | Data Length | Level | Connector in Console |
| (1) 2TR IN DIGITAL | AES/EBU | 24 bit | RS422 | XLR-3-31 type (Balanced)*1 |
| (2) 2TR IN DIGITAL | IEC-60958 | 24 bit | 0.5 Vpp/75Ω | RCA Pin Jack |
| *1. .XLR-3-31 type connectors are balanced. (1=GND, 2=HOT, 3=COLD) | ||||
| DIGITAL OUTPUT CHARACTERISTICS | ||||
| Terminal | Format | Data Length | Level | Connector in Console |
| (1) 2TR OUT DIGITAL | AES/EBU*1 Professional use |
24 bit *3 | RS422 | XLR-3-31 type (Balanced)*4 |
| (2) 2TR OUT DIGITAL | IEC-60958 *2 Consumer use |
24 bit *3 | 0.5Vpp/75Ω | RCA Pin Jack |
| *1 channel status of 2TR OUT DIGITAL
1 type: linear PCM emphasis: NO sampling rate: depends on the internal configuration *2 channel status of 2TR OUT DIGITAL 2 type: linear PCM category code: Digital signal mixer copy prohibit: NO emphasis: NO clock accuracy: Level II (1000 ppm) sampling rate: depends on the internal configuration *3 dither: word length 16/20/24 bit *4 XLR-3-32 type connectors are balanced. (1=GND, 2=HOT, 3=COLD) |
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| CONTROL I/O CHARACTERISTICS | ||||
| Terminal | Format | Level | Connector in Console | |
| TO HOST USB | USB | 0 V – 3.3 V | B type USB connector | |
| MIDI | IN*1 | MIDI | - | DIN Connector 5P |
| OUT | MIDI | - | DIN Connector 5P | |
| TIME CODE INPUT | SMPTE | Nom- inal |
-10dB/10kΩ | XLR-3-31 type (Balanced)*2 |
| WORD CLOCK | IN | - | TTL/ 75 Ω | BNC Connector |
| OUT | - | TTL/ 75 Ω | BNC Connector | |
| CONTROL | - | - | D-SUB Connector 25P (Female) |
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| REMOTE | - | RS422 | D-SUB Connector 9P (Male) |
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| METER | - | RS422 | D-SUB Connector 15P (Female) |
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| *1. MIDI IN can use as TIME CODE IN MTC.
*2. XLR-3-31 type connectors are balanced. (1=GND, 2=HOT, 3=COLD) |
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| Number of Scene Memories: 99 LIBRARIES |
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| Number of factory presets | Number of user libraries | |||||||
| Effect libraries (EFFECT1-4) |
52 (EFFECT2-4: 53)*1 | 76 | ||||||
| Compressor libraries | 36 | 92 | ||||||
| Gate libraries | 4 | 124 | ||||||
| EQ libraries | 40 | 160 | ||||||
| Channel libraries | 2 | 127 | ||||||
| Surround Monitor libraries | 1 | 32 | ||||||
| Input patch libraies | 1 | 32 | ||||||
| Output patch libraires | 1 | 32 | ||||||
| Bus to stereo libraries | 1 | 32 | ||||||
| AVAILABLE MINI-YGDAI CARD SPECIFICATIONS | ||||||||
| Model | Function | In | Out | Format | Reso-lution | Frequency | Connector | Note |
| MY16-AT | Digital I/O | 16 | 16 | ADAT | 24 bit | 44.1/48/88.2/96 kHz | Toslink x 2 | Can handle 24 bit/96 kHz by double channel mode |
| MY16-AE | Digital I/O | 16 | 16 | AES/EBU | 24 bit | 44.1/48/88.2/96 kHz | D-sub 25 pin | Can handle 24 bit/96 kHz by double channel mode |
| MY16-TD | Digital I/O | 16 | 16 | TDIF | 24 bit | 44.1/48/88.2/96 kHz | D-sub 25 pin | Can handle 24 bit/96 kHz by double channel mode |
| MY16/mLAN | mLAN Interface | 16 | 16 | IEEE1394 | 24 bit | 44.1/48 kHz | 1394 6pin | Check instructions for multiple use |
| MY8-AD96 | A to D In |
8 | - | - | 24 bit | 44.1/48/88.2/96 kHz | D-sub 25 pin | |
| MY8-DA96 | D to A Out |
- | 8 | - | 24 bit | 44.1/48/88.2/96 kHz | D-sub 25 pin | |
| MY8-AE96S | Digital I/O | 8 | 8 | AES/EBU | 24 bit | 44.1/48/88.2/96 kHz | D-sub 25 pin | Sampling Rate Converter for input, 3 cards max. with DM1000 |
| MY8-AE96 | Digital I/O | 8 | 8 | AES/EBU | 24 bit | 44.1/48/88.2/96 kHz | D-sub 25 pin | |
| MY8-AT | Digital I/O | 8 | 8 | ADAT | 24 bit | 44.1/48 kHz | Toslink x 2 | Can handle 24 bit/96 kHz by double channel mode |
| MY8-TD | Digital I/O | 8 | 8 | TDIF | 24 bit | 44.1/48 kHz | D-sub 25 pin | Can handle 24 bit/96 kHz by double channel mode |
| MY8-AE | Digital I/O | 8 | 8 | AES/EBU | 24 bit | 44.1/48 kHz | D-sub 25 pin | Can handle 24 bit/96 kHz by double channel mode |
| MY4-AD | A to D IN |
4 | - | - | 24 bit | 44.1/48 kHz | XLR x 4 | |
| MY4-DA | D to A OUT |
- | 4 | - | 20 bit | 44.1/48 kHz | XLR x 4 | |
| MY8-AD24 | ANALOG IN | 8 | - | - | 24 bit | 44.1/48 kHz | TRS x 8 | Replacing MY8-AD (20 bit 44.1/48 kH |
| THIRD PARTY | ||||||||
| MAKER: Waves | ||||||||
| Model | Function | In | Out | Format | Reso-lution | Frequency | D-sub 25 pin | Note |
| Y96K | Effect & I/O | 8 | 8 | Effect&I/O | 24bit, | 44.1/48/88.2/96kHz | Toslink x 2 | Check instructions for multiple use |
| Guidance on the use of Mini-YGDAI cards: Go to www.yamahaproaudio.com to check “Guidance on the use of Mini-YGDAI cards” |
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| Specifications and appearance are subject to change without notice. All trademarks and registered trademarks are property of their respective owners. |
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© 2009 Yamaha Corporation of America. All rights reserved.
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