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American music composer George Antheil (1900-1959), born in Trenton, NJ, began his professional career in Paris, France, in the early 1900s, where he kept company with James Joyce, Ezra Pound, Pablo Picasso, Salvador Dali, and Ernest Hemingway, among other cultural greats. In his 1945 autobiography, Bad Boy of Music, Antheil describes his early days in the heart of literary Europe, including accounts of his attempts to write an opera with Joyce, based on a chapter of "Ulysses." "Ballet Mécanique" Brought to Life Thanks to Disklavier Technology Fascinated by player pianos and percussion instruments, Antheil began work in 1923 on what was to become his most famous and notorious creation Ballet Mécanique. The musical score calls for three xylophones, four bass drums, a gong, two pianos, a siren, three airplane propellers, seven electric bells, and 16 pianolas (synchronized player pianos). Ironically, Antheil's musical composition could not be performed at the time it was written because the technology was not yet available - synchronized player pianos existed only in theory. |
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Today,
thanks to computers, musical instrument digital interface (MIDI) and MIDI-compatible
acoustic/digital player pianos, the technology now exists to realize Antheil's
original version of Ballet Mécanique. The technology of
the Yamaha Disklavier has finally made it possible to synchronize all
the instruments needed to play the musical masterpiece in its original
entirety.
The world premier of the original version of Ballet Mécanique, which took place on November 18 at the Durgin Concert Hall at the University of Massachusetts at Lowell, was made possible by computer music expert and Professor Paul Lehrman and the use of sixteen Disklaviers, including six grands and 10 uprights with models ranging from the MX1 and MX100XG to the DGT2. |
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