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Christian Howes |
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A Yamaha clinician since 1998,
Howes knows what it takes to make a grassroots career grow. He
nurtured a few relationships and kept in touch with contacts.
Without building on that foundation, he wouldn't be living his
dream, playing shows all over the world while maintaining apartments
in New York City and Europe, and a "I realized three years ago that I didn't want to play just in my hometown, but I didn't know how to venture out," says Howes. "I was in the same situation as a lot of musicians. All I knew was I wanted to get out of Columbus and play. I just did anything I could to get out of town." Howes says he realized that any gig was better than nothing. "Even if it seems ridiculous-like it won't pan out or is a waste of time," he says. Not all of his gigs landed him
big jobs, but they taught him the value of his time and of his
ability. "Every time I ventured into a new area it would
teach me something," he says. "For example, a band
leader in Toledo said he wanted to hire me. I thought it would
really pan out, but I wouldn't get home until 7 a.m. I ended
up making a Starting out on his own, Howes
learned to build upon his relationships and maintain them to
further his career. He started to look at his musical career
as more of a business and applied an organized marketing approach
in order to succeed. "I have tried to keep updated information
on all the people that I know in the business, including my fans,
club owners, other musicians, industry professionals, agents-even
those people that have a brother who knows a girl that works
for a festival committee," he laughs. Armed with a book
of contacts and a calendar, Howes keeps in constant touch with
them, The violinist now tours the world
promoting his recent CD "Christian Howes Live." At
various stops he tries to gain access to students to share his
story about becoming a tireless promoter-and musician. Getting
into schools to perform clinics is easy, he says, as long as
you have the right marketing approach. "For instance, if
you want to play in high schools, you get a list of all the high
school band directors in the area and you call them first,"
he says. "Tell them who you are and say you've got a clinic
they may be interested in learning more about, and tell them
how it would be of value to their school. Then, send The important thing is to persevere, according to Howes. The more you follow up with prospects, the more trust you establish with them, and the more likely they are to book you-even five years down the line. He calls prospective club owners even when they say they're busy. If they say to call them back the next year, he marks his calendar and is sure to do it. "I've been after some prospects for five years, and I've only been in business for six," he says. "I've called them twice a year for five years until I got the gig. Once I got the gig, though, it was worth it. If you call somebody and they don't give you a no, but you don't call them back, then that's just wasting time."
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